Raffia
Li 融




At the ending bed ...


untitled, 2022

Shaping words,
Melting words

To all the shapes falling at
different/the same
present/absent times/time



Touch?
Tapping is so00 nice



Ripples in me


The under-sign...




 






The Pigeon behind A Pigeon 2
video, 2 min 59 secs, 2022, in 悬 亭 video and sign language poetry series
with Yanfei Li, and Baizong , in Zhongshan, Huizhou, China, and Rotterdam, Netherlands












At the ending bed we learn to breath through each other
poem installation, 2022 
at  Imaginary Z Gallery, Hangzhou, China
Curator and photo/j.t Imaginary Z




Raffia’s poem is partly performed by themselves in  Descending notes
film by Lou Lou Sainsbury
written and performed by Lou Lou Sainsbury, Raffia Li, Ada M. Patterson

Exhibited at Gasworks, Humber Street Gallery, Roodkapje and IFFR 2023.




Sometimes a feather 
video, 6 min 19 secs, 2022, in 悬 亭 video and sign language poetry series
with Yanfei Li, in Zhongshan, China, and Rotterdam, Netherlands







悬亭 Hovering

video and sign language poetry series, 2021-2022







Nature is never outside us. All corners of the urban space have long been inseparable from our bodies. Refusing the human/nature division means that we need to be in constant conversation with the more-than-human world, and keep inviting other movements into us: becoming otherwise, and in this case, becoming birds.

In 悬亭 series,  I invite my friends and collaborators Yanfei and Baizong to translate some of my bird video works into sign language, and it soon become a dance with the birds, and our collective choreography through which we expand and shape each other.

By watching/filming the steps, pauses, dives, gazes of birds, and transforming them into our own body through signing, could we inhabitie the birds? When our body is the study room to listen to nature, would we find other ways of communicating, encountering and being, would we start to 
remember the rituals of dreaming and transforming化物?

 


Yanfei
video, work in progress, 2022, with Yanfei Li,  in Zhongshan, China, and Rotterdam, Netherlands







The Pigeon behind A Pigeon 2 video, 2 min 59 secs, 2022, with Yanfei Li, and Baizong , in Zhongshan, Huizhou, China, and Rotterdam, Netherlands








video, 6 min 19 secs, 2022, with Yanfei Li, in Zhongshan, China, and Rotterdam, Netherlands









鸽子 背面的 鸽子 1
video, 2 min 59 secs, 2021, with a pigeon on the street






路  Road
    鸟 Heron
 
video, 41 secs, 2021, with a heron in a park









Shaping words, Melting words
Body and language workshop, March 2022
with Jascha Blume, at Kunstinstituut Melly


“Doesn't anyone know that the body starts and ends elsewhere?” Borrowing poet and Protactile educator John Lee Clark’s question, this workshop invites you to explore this interdependent “elsewhere” by holding space to the shapes and textures of words and languages, to move our body beyond the spoken or written, into the realm of the signed, touched, and otherwise sensed languages.

The workshop is lead mainly through gesturing, signing, and involves exploration of touching and sensing the borders between one’s own body and its surroundings, touching water, shaping and passing words/objects that people bring in and letting them melt and transform into other shapes, textures. 

I invited Jascha to work on an American sign langauge and english poem together, and it became our ritual to bring in the participants into the signing space by passing the movements/signed words throughout our poem performance.  The signed poetry is very different from its written form, but here’s an english transcript if you wanna take a look.




Curator and photo/Aqueene Wilson, Kunstinstituut Melly
Dutch sign language interpreters/Mira Geirnaert and Cornelie van Dijk